Everything all the Time

What people have been saying:

"...an album breathtaking in its intensity and breadth. Echoing the restlessness of Bitches Brew-era Miles Davis, the atmospheric intensity of Aphex Twin and the breakbeat deconstruction of early Photek productions, Pieter K rises above the potential pitfall of self-indulgence that so often accompanies works of this nature. Technically astounding...the open-minded listener will instantly fall for the sheer naked emotion on display."

--Urb Magazine

"Revolutionary Work From Pieter K. 10 tracks of cutting edge drum n bass that doesn't leave you saying 'yeah I heard that 6 years ago.'"

--Bent Crayon

"... Pieter K takes advantage of his musical and production skills to elegantly chart an emotionally resonant path on his artist debut.."

--Remix magazine

"There is a prophetic feeling to Everything All The Time, a sort of Eureka moment in which the listener realizes that finally, after years of falling in love with all these drum n bass tunes, they're hearing real music for the first time. It's as if drum n bass suddenly went and grew up...With this album, Pieter K sets off what may be drum n bass' first true revolution, holding the music to a musical and artistic standard that few artists before seemed to believe it could attain."

--David Yee

"One of the most refined and fine-tuned electronic albums of the year."

--Mixer magazine

"...one of the great electronic albums of the last year...a panoramic vision of electronica, centered on the skittery rhythms of drum and bass, artfully blending jazzy tonalities, lush melodic washes, and deep space environments...there is a refinement...that lifts [Everything all the Time] into the highest regions of electronic accomplishment, alongside such masters as Moby, Aphex Twin, and Meat Beat Manifesto...electronic music that is not only pleasing to the ear but also to the soul. Highly recommended."

--Eric Olsen, Blogcritics

"A brilliant long player. In years to come, this album will be seen as a stone cold classic. Let's not sleep on it first time round."

--Knowledge Magazine

"...his...eclecticism helps him to steer clear of breakbeat clichés and leads him to change up the mood on a regular basis...the "Natural Light" remix uses a tasteful house beat and dubwise production quirks to create something quite far removed from the drum'n'bass mainstream. One of the loveliest compositions on this album is "It Could Have Been You," which uses piano, bowed strings, and an unadorned drum loop to build a mood that somehow manages to be simultaneously frantic and contemplative. Highly recommended."

--- Rick Anderson, All Music Guide

"This CD proves to the listener that good electronic music can go beyond the dancefloor while still maintaining a strong connection to tough beats and serious bass...It's refreshing to see a new definition of drum and bass."

--Lunar magazine